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Suggestions for improvement

Hello all

Following are some of my suggestions for an improved FW:

1)There should be a “views” feature just below the post headline,besides the author name.It would give an idea as to much eye-balls a post attracted.

2)An “about the author” space on top of the page of the post.

3)Besides the “edit” function in comment box,we would need a “delete” option too.A “move” option is optional if all agree.

4)Instead of having standstill posters on the main page,we could have a slide-show of the posters of some classics on top of the main page.

5)An opinion Poll box

6)A twitter box of the latest movie.

Further suggestions are welcome…


I finally snagged a copy of Kannathil Muthamittal through Netflix and spent a wonderful evening watching an amazing drama unfold. It began with Shyama (a winsome Nandita Das) getting married to Dhileepan in the backwaters of Sri Lanka and then a war took over their romance. Shyama has to flee to India and landed in a refugee camp where she gave birth to a child. Several years later we see Amudha, a playful well-loved child (P. S. Keerthana), who is the darling (or burden) of teachers, parents and fellow schoolmates alike, in a very “How to Solve a Problem Like Maria” (Sound of Music) sequence. On her birthday she is told by her parents Thiru (Madhavan) and Indra (Simran) that she is not their biological child, she was adopted. This tilts her confident love-filled world and she constantly dwells on why her birth mother left her. Several attempts at truancy later the adoptive parents take her to Sri Lanka to try to find her birth mother. The country is torn asunder by a raging civil war and the trio are inevitably caught up in the mess. But this also leads to their meeting the new Shyama – one who finally is confronted by Amudha and asked why she abandoned her daughter.

The story of a child who has to grapple with the fact that she was abandoned at birth, her obsessive drive to reconnect with her birth mother, the unconditional love of the adoptive parents, the demons that drive the birth mother, the normalcy of Chennai and the horrors of terrorism ravaged Sri Lanka – Mani Ratnam made a masterful film that blended many ingredients into a saga that is soul stirring. AR Rahman’s music beautifully complements the magical and the poignant moments in the film. The film has excellent performances from Madhavan, Nandita Das, Simran and an absolute stunner role as Amudha – the abandoned one – done by the child artiste P. S. Keerthana. This performance won her a National award.

The cinematography is visual poetry – each frame is beautifully crafted and breathtakingly shot. I am intrigued by the connection Mani Ratnam has with terrorism, love and obsessions. I think his exploration of these subjects is absolutely outstanding. Mahadevan’s character was quite unique – his passion and idealism did not make him selfish, rather was well matched with how much he cared for the little girl. His one liners were hilarious. The mother played by Simran was also quite multi-dimensional – she was idealistic, loved the adopted daughter but also worried about her biological kids.

Read more HERE

Anandh takes up rock and Indian’ness in equal measure with seasoned ease for the title song; Ronit’s lead vocals and the backing chorus are extremely effective. Mohit Chauhan’s Man lafanga is stuff of Vishal Bharadwaj’ish allure – breezy, guitary and delightful. With its folk-rock sound, Dhatad tatad is highly infectious, but it is Nain parindey that rules the soundtrack! Anandh’s tune is breathtaking and Shilpa’s vocals breathe life into it beautifully! Even the instrumental, Born to fly, is impactful, but Suraj Jagan’s Rang daalein takes its 80s pop/rock base too seriously and goes overboard. Welcome solo filmy debut by R.Anandh!

Link

Film is looking interesting to me, despite wooden Neil….

looks awesome and she seems to have done really well in this

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Loosely based on the life of the Marathi stage and screen actress Hansa Wadkar, Shyam Benegal’s Bhumika (1977) deals with a woman’s search for identity and fulfillment. Usha grows up in a near destitute family of performers.  She learns music from her singer grandmother but is constantly berated by her mother Shanta (Sulabha Deshpande), who has found some respectability in marriage to a drunkard Brahmin (!).  She does not want the performer stigma for her daughter and keeps telling her that marriage is the way to respectability. Continue Reading »

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It all started with this picture.

We wrote about it here. It was a shameless piece of shit publicity idea to involve an ailing old man who has nothing to do with the film. Rajeev Masand tweeted about it saying…

Need innovative ideas 2 promote films in competitive times. But Akshay Kumar grinning like a jackass at RKLaxman’s hospital bed is a new low.

Guess who found the tweet offensive. Amitabh Bachchan. Why ? Because of the use of the word “jackass”. We think thats an understatement. Look at the grin on Akshay Kumar’s face. What do you call that ? Plus, Rajeev said “like a jackass”. And even before Rajeev tweeted his thoughts on the pic, blogosphere and social media was already buzzing with sharp criticism of the pic and the publicity idea.

So, the key word is “Jackass”. We checked Dictionary.com and according to it…..

jack·ass has two meanings – noun

1. a male donkey.

2. a contemptibly foolish or stupid person; dolt; blockhead; ass.

We bet Rajeev didn’t mean the second one. It has to be the first one.

Anyway, WTdoubleF is that Amitabh Bachchan who criticises media almost everyday on his blog doesn’t find the pic offensive. Infact, he doesn’t comment on it but puts the focus on “jackass”. Wow! Bachchan in Blunderland. And to remind Mr Holier-than-thou, here is what he commented on his blog about TOI journalist Bharati Dubey once….

Get married, if you are not already. Embrace your sentiment. And may you hold on to it till your old age without the use of any props ! When you get there, give me a call. If I am still around, we’ll talk !!

Ofcourse, thats not personal. Click here to read more – why and when. And this wasn’t the first time. He also commented on Upala KBR of Mid-day stating…

Upala, the affable and rotund by-line writer form MidDay is insistent on my responses to the utterances of Mr Sinha, Mr ShahRukh Khan, Mr Salim Khan, Mr Aamir Khan.

Mr Bachchan, what do you mean by rotund by-line writer ? Again, going back to dictionary.com, it means…

ro·tund –adjective

1. round in shape; rounded: ripe, rotund fruit.

2. plump; fat.

3. full-toned or sonorous: rotund speeches.

Well, its also not personal! You can read the blogpost here. Wow, Sir, you are surely getting better with age. And yes, you choice of words surely confirms that you went to Doon School.

And click here to read Rajeev Masand’s reply to Bachchan’s criticism.

BTW, Sir, what do you think of that publicity stunt of Akshay Jackass Kumar ? Knowing your Doon School background, you surely can come up with better word than “jackass”! We are waiting and how!

PS – We lost respect for the old man long long long back, though he still remains one of our favourite actor of all time. So, all you “jackass” fans of Big B, come, attack us!

http://moifightclub.wordpress.com/2010/07/13/wtdoublef-guess-who-is-supporting-akshay-jackass-kumar-amitabh-bachchan-naam-toh-suna-hoga/